Guy Virshuvski
The project presents a series of typefaces packaged as physical stencil kits, accompanied by a printed typographic specimen and protest signs demonstrating the typefaces in use.


This project examines Israel’s political reality through the lens of typography and street protest. The typefaces are based on visual research into historical protest signs, preserving the crude, raw aesthetic of hand-made protest lettering. The work emphasizes the manual and material act of using stencils while seeking to disseminate these tools of expression and make them more accessible, enabling anyone to voice their views in the public sphere.























